When You Fake Sleep by Fake Creators
Released: 22.07.06 / Label: I want the moon, not records
Talk about an awesome album cover. I have no idea what I’m looking at, but its both beautiful and unnerving. This is a new group, but it’s actually a project by two names that may be familiar to you. Let me explain…
Fake Creators is a new collaborative project between artists LITE and DE DE MOUSE. LITE is a well known four-piece Japanese instrumental rock band. They’ve been together for almost 20 years, and have made a name for themselves as killer musicians and pioneers of the complex math-rock genre. They’ve teamed up with DE DE MOUSE, a keyboard playing DJ who has made an art of combining world and club music. He’s brought his unique live performances on tour all over the world, and done collaborations with artists from many different fields.
I was already a big fan of each group individually, so the two groups having come together to form an entirely new project is super exciting. I can’t wait to see what they’ve made together, so let’s take a listen and find out!
When You Fake Sleep is equal parts calm and frenetic, with literally no transition between the two moods. It definitely peaked my interest from the get go. The soft guitar chords and clock-like rhythm lulled me into a sense of peace, only to have the song take off with an insane amount of chaotic energy. The B sections are all fast rhythmic phrases and bass lines that sound almost organic. Everything is linked together with a strange, spliced vocal line that seems like it has something to say, but never quite gets there.
I love the sound design they’ve used here. They’ve managed to get a really beautiful blend of both rock band and electronic production. Organic sounds and contrasting sections aren’t a new idea, though. This track reminds me a lot of what Bjork was doing 10 years ago with Biophilia. It is nice to hear a version of those ideas in Japan in 2022.
I enjoyed the song overall, but there are definitely areas that feel lacking given the experience these artists have. The two chord approach to the songwriting is disappointing. I think with a more complex harmonic base the song would have felt more developed. As it is, I don’t think there’s enough being said here to justify the second half of the song. After the first big explosive break they repeat back into the soft section and basically play the whole song again, but without adding anything or developing any of the ideas. So the track ends up feeling stretched to fill out a full length song. That being said, I definitely like the direction they’re heading and I hope to hear more in the future.
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